The first reviews of artists who became associated with electronic trap as we know it today were nebulous. The beats were laid, the instruments were huge and the 808 kicks were booming - yet, electronic trap still didn’t have a name, or a massive club appeal outside of its biggest titans. Rustie’s maximalist attitude of combining elements of progressive rock, trance, hip-hop, dubstep and ambient music on Glass Swords (which The Guardian would name as one of the best albums of 2011) was so extreme, online music reviewers coined it as a new genre, “aquacrunk.” Drum machine maestro Araabmuzik’s signature sound became the fusion of trance music and stuttering hi-hat hip-hop beats, which would lead to the critically-acclaimed Electronic Dream mixtape and his accompanying international tour. Artists like Lunice, Sinjin Hawke and Hudson Mohawke were exhibiting their ominous, instrumental mutations of hip-hop with shimmering pads, blaring horns and sampled rap vocals.
With new hip-hop beats for inspiration, the missing piece of the puzzle for these early electronic trap producers was the unique aesthetic. Once the characteristic trap-bounce was planted in the ears of the American mainstream, the flood-gates opened for the first wave of electronic trap producers.
Waka Flocka Flame’s Flockaveli released in October 2010, debuting at number 6 on the US Billboard 200. Producers such as Zaytoven, Lex Luger, Drumma Boy, and Southside reached the radio, supporting hip-hop’s biggest names with beat production featuring triplet hi-hats, heavy 808s, and layered synths. Both genres rely heavily on their distinct style of drums.
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Website source code can be found on GitHub.Įlectronic trap music’s roots begin with Southern hip-hop and trap production. The project was headed by u/ghostmacekillah and included contributions from: Check this site and the subreddit each week for more info. Please note: we'll be rolling out the website content in separate phases each week. We would like to extend a final word of thanks to our writers and contributors. We hope you find the r/trap Essentials List informative. We will also provide in-depth descriptions of who we consider to be the most essential music producers in trap: those artists who have innovated and shaped the genre in incredible and definitive ways. We believe time is needed to properly gauge the impact a release has had on this genre, so we have decided to stop at 2016 for the first edition. In this write-up, we will discuss what trap is, briefly describe its history, document the essential releases of each year and provide a contextualized overview of the genre. We have determined that for a release to qualify as an “essential” release, it must have made a lasting impact on the genre, regardless of its popularity. Please contact the moderators of this subreddit if you have any questions or concerns.The purpose of the r/trap Essentials List is to exhibit what we believe to be the most important and influential singles, albums/EPs, and mixes of the electronic trap genre (including other associated trap genres, e.g. I am a bot, and this action was performed automatically. Posts about artists or companies who have wronged you/negative reviews.Workstation/gear photos, which belong on /r/MusicBattlestations.Posting about your stream count/revenue/placement, etc.Asking people to post rule-breaking content.Requests to collaborate on music or anything else outside of the most recent weekly Collaboration thread.Sharing music or work for feedback (or any other reason) outside of the weekly Feedback thread.It doesn't matter if you use a link or not.
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